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TIBETAN-HIMALAYAN REGION, 17TH/18TH CENTURY
Cast copper alloy, bronze/brass.
56 cm high; 37 cm wide; 14.3 kg.
Finely cast seated in meditation upon a double-lotus pedestal, the right hand raised in vitarka mudra, the gesture of teaching and discussion, with the thumb and index finger joined to form a circle and the remaining fingers extended, the left resting palm upward in the lap. The face is sensitively modelled with downcast eyes and gently defined lips, framed by elongated earlobes, the head and tall ushnisha covered in tightly arranged curls.
The robe falls closely across the body from the left shoulder, its borders chased with scrolling floral ornament. Further engraved detail appears at the bracelets, folds of the drapery and lotus pedestal. Subtle variations in depth and line preserve the character of individual hand-finishing.
The figure and lotus pedestal were cast separately and joined as part of the original manufacture. Historic casting adjustments are visible in several areas and bear surface ageing consistent with the surrounding metal.
Examination under 50× magnification and 365 nm ultraviolet light revealed aged copper oxidation, mineral deposits and remnants of organic material from the original casting core within the interior. These features are consistent with traditional lost-wax casting and support the proposed dating.
Condition: Good condition consistent with age. Wear and fine scratches to the warm golden surface, dark patination and accretions within recessed areas, oxidation and historic casting irregularities. Please refer to all images as an integral part of the condition report.
Further examination: Read the complete technical study with microscopy and ultraviolet images.
Each object is examined before it is offered: material, casting or carving technique, surface, and signs of age are compared with documented references. You will receive a certificate of authenticity and an official invoice detailing the period, material, and available provenance.
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For more than 30 years, we have been researching Asian art. Each object is inspected in advance with a microscope and UV light. Findings regarding material, style, and iconography form the basis for our assessment of dating, condition, and quality — and for the price.
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