{"title":"Stone Buddha Statues","description":"\u003ch2\u003eAntique Stone Buddha Statues from Asia\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eStone Buddha statues\u003c\/strong\u003e are among the oldest and most enduring forms of Buddhist sculpture. Our collection features authentic \u003cstrong\u003estone Buddha statues\u003c\/strong\u003e from Thailand, Cambodia, China, Myanmar (Burma), India and other regions of Asia. From monumental temple sculptures to finely carved natural stone Buddhas, every piece has been selected for its authenticity, historical significance, artistic craftsmanship and timeless beauty.\u003c\/p\u003e","products":[{"product_id":"handgehakt-javaans-zandsteen-beeld-godin-tara-majapahit-stijl-60cm-3","title":"Hand-carved Javanese Sandstone Statue - Goddess Tara - Majapahit Style - 60cm","description":"\u003cdiv style=\"background:#ffffff;color:#1f1f1f;font-family:Arial,Helvetica,sans-serif;line-height:1.8;padding:34px;border:1px solid #c9a24d;border-radius:8px;\"\u003e\n\n\u003ch2 style=\"color:#8a6a24;font-size:26px;margin:0 0 18px;\"\u003eJavanese Tara made of Solid Sandstone\u003c\/h2\u003e\n\n\u003cp\u003eTara is one of the most beloved figures within Buddhism. She symbolizes compassion, protection, and overcoming obstacles. Many people choose a Tara statue because it radiates tranquility and is simultaneously seen as a source of positive energy, wisdom, and inner strength.\u003c\/p\u003e\n\n\u003cp\u003eWith a height of 60 cm and a weight of over 45 kilograms, this statue has an immediate presence. It is not a small decorative object, but a substantial stone statue that forms a natural eye-catcher both indoors and outdoors. This makes it particularly suitable for a meditation spot, entrance, veranda, garden, or spiritual space.\n\nThe goddess is depicted in a relaxed seated posture on a richly crafted pedestal. The crown, jewelry, lotus motifs, and backplate give the statue a classic Javanese appearance. Thanks to the use of solid sandstone, the surface possesses a natural texture that combines beautifully with wood, greenery, water features, and tranquil interiors.\n\nFor many enthusiasts, Tara represents protection during life changes. Therefore, she is often placed in locations where peace, balance, and personal development are central.\n\nDue to its substantial weight and solid construction, this is a statue that immediately conveys a sense of stability and durability. A special object for lovers of Asian art, garden statues, and spiritual decoration with meaning.\u003c\/p\u003e\n\n\u003ch3 style=\"color:#8a6a24;font-size:20px;margin-top:26px;\"\u003eDetails\u003c\/h3\u003e\n\n\u003ctable style=\"width:100%;border-collapse:collapse;margin-top:10px;\"\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eRepresentation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003eGoddess Tara\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003eJava, Indonesia\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003eSolid sandstone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eSymbolism\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003eProtection, compassion, peace and balance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e60 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border-bottom:1px solid #eee;padding:8px 0;\"\u003e28 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"padding:8px 0;\"\u003e45.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003c\/div\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":57155080552779,"sku":"194","price":895.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/javaans-zandsteen-beeld-godin-tara-60cm.jpg?v=1777462015"},{"product_id":"chinees-speksteen-beeld-onbevreesdheid-kracht","title":"Vintage Chinese Soapstone Statue – Heavenly Lady with Lotus (He Xiangu)","description":"\u003ch3\u003eCraftsmanship in detail\u003c\/h3\u003e\n\u003cp\u003eThe power of this sculpture lies in the details that only become visible upon close study. Our macro shots show the authentic traces of the craft: the razor-fine cutting lines and subtle chisel marks of the artist who manually freed this piece from the stone. Unlike machine-produced replicas, this sculpture tells a story of patience and precision. The soft, waxy sheen of the polished stone emphasizes the natural quality of the soapstone.\u003c\/p\u003e\n\n\u003ch3\u003eMaterial and Texture\u003c\/h3\u003e\n\u003cp\u003eThe soapstone (steatite) used displays a brilliant palette of natural colors. The lady's flowing, celadon-green robes transition into a robust, earthy base with rust-brown oxidation inclusions, confirming the authenticity of the natural material. Small imperfections and variations in the stone structure make this a unique \"one-of-a-kind\" specimen.\n\n\u003ch3\u003eThe symbolism of the Lotus\u003c\/h3\u003e\n\n\u003cp\u003eThe depicted figure is He Xiangu, the only female immortal in the Taoist tradition. The lotus she carries symbolizes transformation and spiritual awakening: the flower that blooms immaculately above the murky water. Her calm countenance and the dynamic lines of her robe radiate a timeless serenity.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eObject type:\u003c\/b\u003e Hand-carved stone sculpture on integrated base\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDepiction:\u003c\/b\u003e He Xiangu (Immortal with lotus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMaterial:\u003c\/b\u003e Solid, hand-carved soapstone\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDating:\u003c\/b\u003e Vintage (mid-20th century)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDimensions:\u003c\/b\u003e 25.5 cm (height) x 10.5 cm (width)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eWeight:\u003c\/b\u003e 1.2 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eAuthenticity:\u003c\/b\u003e Visible manual tool marks and natural mineral inclusions\u003c\/li\u003e\n\n\u003ch2\u003eValue \u0026 Intention\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEstimated Gallery Value:\u003c\/b\u003e € 150 to € 195\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cb\u003eIntention Category:\u003c\/b\u003e IX. Transformation (Spiritual Growth)\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cb\u003eSymbolicity:\u003c\/b\u003e The lotus reminds us of the power of inner growth and overcoming obstacles on the path of life\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":57219517874507,"sku":"560","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/antiek-indiaas-tempelpaneel-lakshmi-vooraanzicht.jpg?v=1777981139"},{"product_id":"monumentale-stenen-devi-tempelfiguur-indonesie-java-of-bali-19e-eeuw","title":"Monumental Stone Devi Temple Figure, Indonesia (Java or Bali), 19th Century","description":"\u003cdiv style=\"background:#ffffff;border:1px solid #d8d1c5;padding:25px;color:#222;line-height:1.7;\"\u003e\n\n\u003ch2 style=\"color:#8a6d3b;margin-top:0;\"\u003eMonumental Indonesian Devi in ​​Natural Stone – Java or Bali, 19th Century\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003ePrice: €3,800\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\nThis monumental Indonesian Devi is a powerful image of peace, protection, and feminine energy. With her folded hands, serene appearance, and impressive size, this is no ordinary garden statue, but a stone temple figure with a real presence.\n\u003c\/p\u003e\n\n\u003cp\u003e\nIn the Hindu tradition, Devi represents the divine feminine power. She is associated with harmony, protection, fertility, wisdom, compassion, and inner balance. A statue like this therefore brings not only beauty but also meaning to a garden, entrance, wellness area, hotel, or spiritual setting.\n\nAccording to family tradition, the statue has been in Europe since the 1950s and is said to have originated from a temple context in Indonesia. The natural weathering, old wear, deep stone structure, and massive construction give the statue an authentic character that modern reproductions lack.\n\nWith a height of approximately 95 cm, a width of 74 cm, and an estimated weight of about 500 kilograms, this is an exceptional statement piece. Large old stone temple statues of this size rarely appear on the market. \u003c\/p\u003e\n\n\u003ch3 style=\"color:#8a6d3b;\"\u003eSpecifications\u003c\/h3\u003e\n\n\u003ctable style=\"width:100%;border-collapse:collapse;\"\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eObject\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003eMonumental Devi temple figure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003eIndonesia, probably Java or Bali\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eDating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003eProbably 19th century\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003eSolid natural stone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e95 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e74 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"border:1px solid #d8d1c5;padding:8px;\"\u003eApprox. 500 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003c\/div\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":57531331182923,"sku":"MB001","price":6800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/monumentale-indonesische-tempelfiguur-natuursteen-java-bali.jpg?v=1780906982"},{"product_id":"antieke-chinese-kwan-yin-stenen-stele-anjali-mudra","title":"An Early Chinese Stone Guanyin Stele in Anjali Mudra – Possibly Northern Wei, 5th–6th Century – 45.6 cm","description":"\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 45.6 × W 23 cm\u003cbr\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 15.5 kg\u003cbr\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Dense grey-green stone, provisionally identified as argillite \/ argillaceous siltstone\u003cbr\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e China\u003cbr\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Crowned Bodhisattva, probably Guanyin (Avalokiteshvara)\u003cbr\u003e\n\u003cstrong\u003eAttribution:\u003c\/strong\u003e Possibly Northern Wei \/ Northern Dynasties, 5th–6th century\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eA Monumental Presence on an Intimate Scale\u003c\/h2\u003e\n\n\u003cp\u003eDespite measuring only 45.6 cm in height, this remarkable Chinese Buddhist stele has the physical presence of a considerably larger sculpture. Carved from an exceptionally dense stone and weighing 15.5 kg, the figure rises almost architecturally from the original block.\u003c\/p\u003e\n\n\u003cp\u003eThe crowned Bodhisattva sits frontally with the hands joined before the chest in Anjali Mudra. The restrained expression, elongated eyes, formal symmetry and deeply organised drapery give the sculpture an unmistakably archaic character. The figure is most plausibly interpreted as Guanyin, the Chinese manifestation of Avalokiteshvara, although no surviving attribute permits an absolute identification.\u003c\/p\u003e\n\n\u003cp\u003eIts unusual sculptural vocabulary has prompted extensive examination. Rather than relying upon a single stylistic feature, the attribution has been considered through the stone itself, carving technique, microscopic surface evidence, weathering, traces of former decoration and comparison with early Chinese Buddhist sculpture.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eThe Stone as Evidence\u003c\/h2\u003e\n\n\u003cp\u003eThe extraordinary weight is the first indication of the nature of the material. The stele is carved from a compact grey-green stone with an extremely fine matrix. Its appearance and fracture behaviour are consistent with argillite or argillaceous siltstone, although a definitive geological identification would require laboratory analysis.\u003c\/p\u003e\n\n\u003cp\u003eThe rear presents an entirely different character from a prepared modern surface. It remains rugged and irregular, with natural undulations, laminar fractures and extensive weathering. Grey, green, brown and ochre areas occur throughout the surface, producing a complex mineral skin that has developed within and upon the stone.\u003c\/p\u003e\n\n\u003cp\u003eOf particular interest is the contrast between the massive, dense body of the sculpture and its vulnerable outermost surface. Certain weathered areas have undergone pronounced de-cohesion and can release extremely thin, brittle flakes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eExamination of an Existing Fracture\u003c\/h2\u003e\n\n\u003cp\u003eA minute fragment from an already compromised area provided an opportunity to examine the internal character of the material. Rather than disintegrating into recognisable sand grains, the material separated as a thin, compact flake with a smooth and very fine structure.\u003c\/p\u003e\n\n\u003cp\u003eThe detached fragment was subjected to a simple vinegar test. No visible effervescence occurred. While this is not a substitute for petrographic analysis, the absence of an obvious carbonate reaction makes an ordinary calcite-rich limestone less convincing and supports the provisional identification of a silica-rich argillaceous stone.\u003c\/p\u003e\n\n\u003cp\u003eThe newly exposed fracture also provides a valuable contrast with the heavily altered exterior. This difference between the compact interior and weathered surface is an important part of understanding the condition of the sculpture.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eEvidence Under Magnification\u003c\/h2\u003e\n\n\u003cp\u003eMicroscopic examination reveals considerably more complexity than is apparent to the naked eye.\u003c\/p\u003e\n\n\u003cp\u003eRecessed areas preserve irregular deposits of different colours and textures, while carved grooves display non-uniform tool marks rather than repetitive mechanical finishing. In several places, the ageing of the surface continues into the carved recesses themselves. Edges have softened, mineral material has accumulated within depressions and the original cutting has become integrated into the weathered surface.\u003c\/p\u003e\n\n\u003cp\u003eThese observations are consistent with traditional hand carving followed by substantial natural ageing. They cannot independently establish a 5th- or 6th-century date, but they form an important part of the cumulative evidence surrounding the object.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eSurviving Gold-Coloured Traces\u003c\/h2\u003e\n\n\u003cp\u003eMagnification also revealed minute gold-coloured particles surviving within protected recesses.\u003c\/p\u003e\n\n\u003cp\u003eThey do not present themselves as a uniform recent coating. Instead, they occur as isolated remnants embedded among older surface deposits and sheltered areas of the carving.\u003c\/p\u003e\n\n\u003cp\u003eThis is particularly intriguing in the context of early Chinese Buddhist sculpture. Stone images were historically capable of being painted, prepared and embellished rather than necessarily being displayed as bare stone.\u003c\/p\u003e\n\n\u003cp\u003eThe particles have therefore been recorded as possible remnants of an earlier decorative or gilded surface. No claim is made that they are chemically confirmed gold, nor can their age be established without analytical testing.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eThe Crossed Feet and Two Lotus Supports\u003c\/h2\u003e\n\n\u003cp\u003ePerhaps the most distinctive feature of the composition occurs beneath the seated figure.\u003c\/p\u003e\n\n\u003cp\u003eThe legs terminate in crossed feet which are not simply placed upon a conventional continuous plinth. Instead, the feet are associated with \u003cstrong\u003etwo separately carved rounded supports\u003c\/strong\u003e. Although considerable erosion has simplified their original modelling, their symmetrical arrangement suggests individual lotus supports.\u003c\/p\u003e\n\n\u003cp\u003eThis initially unusual detail has important parallels within early Chinese Buddhist sculpture.\u003c\/p\u003e\n\n\u003cp\u003ePublished documentation of the Yungang cave temples records crowned Bodhisattvas seated upon stool-like structures in combination with lotus supports at the feet. Another documented figure in Cave VIII is specifically described with both feet resting upon a three-petalled lotus positioned in front of the seated figure.\u003c\/p\u003e\n\n\u003cp\u003eThe present sculpture is not identical to those monumental cave carvings. The significance of the comparison lies instead in the sculptural concept: a seated Bodhisattva, an elevated throne-like arrangement and deliberately articulated lotus elements associated with the feet all belong to the visual vocabulary found in early Northern Chinese Buddhist art.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eAn Archaic Sculptural Language\u003c\/h2\u003e\n\n\u003cp\u003eThe face has been conceived with remarkable economy. Long eyes sit beneath strongly defined brows, the nose descends in a simple continuous form and the restrained mouth gives the figure an expression of inward concentration rather than later naturalistic softness.\u003c\/p\u003e\n\n\u003cp\u003eThe crown or elaborate coiffure is equally architectural. Individual masses rise prominently above the head rather than dissolving into fine ornamental detail.\u003c\/p\u003e\n\n\u003cp\u003eBelow, the robes are organised through deeply cut linear folds. The sculptor was concerned less with reproducing soft fabric than with creating rhythm across the stone. Parallel incisions and strongly separated planes establish the body through pattern and structure.\u003c\/p\u003e\n\n\u003cp\u003eThis combination of frontal authority, simplified anatomy and graphic drapery is one of the principal reasons why the sculpture warrants comparison with the Buddhist artistic traditions of China's Northern Dynasties.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eAnjali Mudra\u003c\/h2\u003e\n\n\u003cp\u003eThe Bodhisattva joins both hands vertically before the chest in \u003cstrong\u003eAnjali Mudra\u003c\/strong\u003e, known in Chinese Buddhist terminology as \u003cem\u003ehezhang\u003c\/em\u003e (合掌).\u003c\/p\u003e\n\n\u003cp\u003eThe gesture expresses reverence, devotion and spiritual homage. Its prominent position at the centre of the composition reinforces the devotional rather than narrative character of the sculpture.\u003c\/p\u003e\n\n\u003cp\u003eThe crown and Bodhisattva appearance make an identification as \u003cstrong\u003eGuanyin (Avalokiteshvara)\u003c\/strong\u003e plausible. Nevertheless, Anjali Mudra is not exclusive to Guanyin and no surviving identifying attribute makes the attribution certain.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eDating: Why the Northern Dynasties Are Being Considered\u003c\/h2\u003e\n\n\u003cp\u003eA Northern Wei or broader Northern Dynasties attribution is presently the most compelling working hypothesis, placing the possible creation of the sculpture within approximately the 5th–6th century.\u003c\/p\u003e\n\n\u003cp\u003eThat attribution is based upon a convergence of observations: the archaic facial construction, frontal presentation, Bodhisattva iconography, linear treatment of the robes, unusual arrangement of the feet and lotus supports, traditional carving, dense weathered stone and microscopic evidence preserved across the surface.\u003c\/p\u003e\n\n\u003cp\u003eThere is, however, no surviving dated inscription and no documented early provenance capable of independently fixing the sculpture to that period.\u003c\/p\u003e\n\n\u003cp\u003eA later Chinese archaistic interpretation must therefore remain within the differential assessment. Chinese sculptors repeatedly revisited prestigious earlier Buddhist traditions, and considerable age alone does not prove Northern Wei manufacture.\u003c\/p\u003e\n\n\u003cp\u003eFor this reason the 5th–6th century is presented as an \u003cstrong\u003eattribution rather than an absolute date\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\n\u003cp\u003eThe sculpture survives with extensive historic wear, erosion, losses, mineral deposits and surface alteration consistent with its considerable age.\u003c\/p\u003e\n\n\u003cp\u003eSeveral areas of the outer weathering layer are fragile and exhibit active flaking or de-cohesion. The sculpture should consequently be handled carefully and should not be aggressively cleaned.\u003c\/p\u003e\n\n\u003cp\u003eThe irregular reverse, exposed fractures, worn carving and surviving deposits have deliberately been left visible. They constitute important physical evidence and form an integral part of the object's historical character.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eA Sculpture That Rewards Close Examination\u003c\/h2\u003e\n\n\u003cp\u003eThis is not an object whose importance rests on one inscription or a single diagnostic feature. Its fascination lies in the accumulation of evidence.\u003c\/p\u003e\n\n\u003cp\u003eThe extraordinary 15.5 kg weight, unusual grey-green stone, weathered fracture structure, hand-cut recesses, microscopic surface deposits, possible remnants of former gilding and the distinctive double lotus arrangement beneath the crossed feet together create an unusually compelling object for the study of early Chinese Buddhist sculpture.\u003c\/p\u003e\n\n\u003cp\u003eOur present attribution places it within, or in close relationship to, the artistic tradition of the \u003cstrong\u003eNorthern Dynasties and possibly the Northern Wei period of the 5th–6th century\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eA powerful and enigmatic Chinese Buddhist stone sculpture whose age, material history and surviving surface continue to reveal details far beyond those immediately visible to the naked eye.\u003c\/p\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":58173161406795,"sku":"697","price":29500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/antieke-chinese-kwan-yin-stenen-stele-anjali-mudra.jpg?v=1787065210"},{"product_id":"monumentale-antieke-stenen-guanyin-china-late-qing-92-cm","title":"Monumental Antique Stone Guanyin – Late Qing \/ Early Republic – 92 cm","description":"\u003ch2\u003eMonumental Antique Stone Guanyin – Late Qing \/ Early Republic\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e China, possibly southern China \/ border region with Burma\u003cbr\u003e\n\u003cstrong\u003ePeriod:\u003c\/strong\u003e late Qing dynasty to early Republic\u003cbr\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e ca. 1850–1920\u003cbr\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e heavy natural stone, likely limestone \/ marble-like stone\u003cbr\u003e\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Guanyin \/ Avalokiteshvara, standing bodhisattva\u003cbr\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 92 × W 25 cm\u003cbr\u003e\n\u003cstrong\u003eEstimated weight:\u003c\/strong\u003e ca. 80–120 kg\u003cbr\u003e\n\u003cstrong\u003eSKU:\u003c\/strong\u003e 818\u003c\/p\u003e\n\u003ch2\u003eMonumental stone bodhisattva\u003c\/h2\u003e\n\u003cp\u003eThis heavy sculpture represents Guanyin, the Chinese form of Avalokiteshvara. The figure is shown frontally with a slight sway through the hips, a calm expression, high coiffure, chest ornament and long falling robe panels. Its compact monumentality is consistent with Buddhist temple and architectural stone sculpture.\u003c\/p\u003e\n\u003ch2\u003eChinese form with possible southern influence\u003c\/h2\u003e\n\u003cp\u003eThe head, hairstyle, jewellery and treatment of the robe strongly support a Chinese Buddhist context. At the same time, the massive lower section and pale stone recall examples from Burma and the southern borderlands. We therefore describe the work as Chinese, with a possible connection to a southern Chinese or Sino-Burmese workshop tradition.\u003c\/p\u003e\n\u003ch2\u003eHistoric stone surface\u003c\/h2\u003e\n\u003cp\u003eClose-up photographs show a compact granular stone structure with old discoloration, weathering and light greenish deposits in recessed areas. The surface is softly worn, and fine lines in the hair, robe and ornament have been weakened by age and use.\u003c\/p\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eBoth arms are missing from the upper arms. The exposed breaks show old, weathered stone structure. Additional wear includes small chips, scratches, discoloration and local losses. The sculpture is mounted on a modern black display base, which is not original to the figure.\u003c\/p\u003e\n\u003ch2\u003eDimensions\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eHeight:\u003c\/strong\u003e 92 cm\u003cbr\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e 25 cm\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e estimated ca. 80–120 kg\u003c\/p\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":58619297333579,"sku":"818","price":4950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/monumentale-antieke-stenen-guanyin-vooraanzicht-sku818.jpg?v=1790588337"},{"product_id":"grote-himalaya-kalkstenen-boeddha-stele-nepal-122-cm","title":"Large Himalayan Limestone Buddha Stele with Naga and Temple Relief – Nepal – Pre-1960 – 122 cm","description":"\u003ch2\u003eLarge Himalayan Limestone Buddha Stele with Naga and Temple Relief\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e H 122 × W 45 cm\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e estimated approx. 150–200 kg\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e limestone \/ natural stone\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Nepal, Himalayan region\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e pre-1960; probably 19th to first half 20th century\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e reportedly brought from Nepal to Europe in the 1960s\u003c\/p\u003e\u003ch3\u003eDescription\u003c\/h3\u003e\u003cp\u003eMonumental Buddhist stone stele centred on a seated Buddha and surrounded by numerous smaller Buddha figures set within architectural niches. The relief is arranged as a temple or shrine programme with protective figures, naga iconography and heavily carved supporting elements at the base.\u003c\/p\u003e\u003ch3\u003eOriginal polychromy\u003c\/h3\u003e\u003cp\u003eClear remnants of the original painted decoration survive across the surface. Old blue pigment is preserved in recessed areas, together with traces of red and yellow\/gold. The surviving colour follows the original relief and shows that the stele was once far more richly polychromed.\u003c\/p\u003e\u003ch3\u003eSurface and condition\u003c\/h3\u003e\u003cp\u003eThe surface is heavily weathered, with age-related wear, softened relief details, discoloration, small losses and local erosion. These traces are consistent with prolonged display and use in a religious or architectural setting.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eThe stele is said to have been brought from Nepal to Europe in the 1960s. This early European provenance is recorded with the object as transmitted ownership history.\u003c\/p\u003e","brand":"1stbuddha","offers":[{"title":"Default Title","offer_id":58662297829707,"sku":"167","price":9500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1012\/6170\/5547\/files\/nepal-himalaya-limestone-buddha-stele-front_110140be-aa34-4caf-9344-c37cfe28d5e5.jpg?v=1790857421"}],"url":"https:\/\/1stbuddha.nl\/en\/collections\/stone-buddha-statues.oembed","provider":"1stbuddha","version":"1.0","type":"link"}